There are more unknown and talented artists in the world than there are known ones. At least that’s how I feel– because I’m one of the unknowns. We strive to get our work out there to be seen by others, but we often are overlooked. I went to a certain park downtown and set up my artwork in hopes of selling a few pieces. About 10 minutes after I got there I was escorted out of the park by security who treated me as some sort of Artsy Criminal. Yet, after years of many of us holding back and having limited opportunities to display our work and sell it in public, someone finally did something amazing.

Have you been to the Melbourne Arts Festival? It’s coming up soon and is held in downtown Melbourne the weekend of April 23rd and 24th. For twenty-one years, the event has brought an incredible collection of artists, performers and people in the streets of historic Melbourne. It’s an event not to miss.

We caught up with Judy Edwards, this year’s PR and Advertising chairperson and Lori Emly, President.

Judy, can you give me a little background? Who puts on the Melbourne Arts Festival?
Melbourne Art Festival, Inc. is a Florida 501c-3 not-for-profit group, an all-volunteer organization. Our committee of about 55 volunteers meets every Wednesday at 6pm in the Henegar Center for the Arts. We still have some people who have been helping for 21 years.

I can’t tell you how many times or in how many places I’ve heard it. People say we just don’t have anything cultural to do in Brevard. And yet, there are many venues here for theatre, visual arts, performance and music, among others.

When you picture Miami, for instance, you think of an amazing arts scene. You imagine diverse cultures of Cuban and South American influence, painting an eclectic, vibrant picture. Miami Beach sports an art deco district with so many things to do. Miami’s place as the crossroads between the Caribbean, South America, Central America and the United States surely has a lot to do with its cultural depth–but the issue is more than just location.

During 2005, Brevard Cultural Alliance (BCA) is celebrating 30 years of providing cultural information and services to residents and visitors, cultural organizations, individual artists and the business community. The Alliance is designated by the Brevard County Board of County Commissioners as the official local arts and cultural affairs council. BCA’s mission is to serve as the catalyst for cultural development in Brevard County.

Upcoming BCA events of note include:

The first-time ever Arts of Harleys Gala is happening on April 2, 2005, at Rockledge Country Club beginning at 6:30 p.m. This festive biker-style black tie event will feature music by Don’t Quit Your Day Job, delicious cuisine, and silent and live auctions.

To an unknown god.�
The ancient Athenians erected many shrines to various deities that gave power, perspective and no small dose of fear to their collective psyche. Early in the first century A.D., the Jewish philosopher Paul of Tarsus, a follower of Jesus Christ, stumbled into their city and observed the many places of devotion to the unseen. Ensuring they were covering their bases and not offending some minor celestial player, the Athenians apparently constructed a shrine with the inscription, “To an unknown god.” Paul took note of this, commended the Athenians for their widespread devotion to religious matters, and proceeded to delineate the framework of his faith in a god he had come to know as Jesus.

When I paint, I go beyond what the eyes visibly see. I feel the flow of infinite energy, the continual renewal of the universe. Molecules, atoms and cells always in motion, nothing is real and still as it visually appears. Life is simply flowing energy. That is what I paint.

I don’t use a paintbrush, but instead find it more exciting to experience the fluidity of the flowing paint as I pour it onto the canvas. Sometimes I roll the paint, again, feeling the flowing movements of motion.

For more than 50 years the Brevard Symphony Orchestra has presented quality concerts, educational programs and outreach opportunities throughout Brevard and Indian River counties. Since 1954, Brevard has been fortunate to have an amazing symphony.

Have you been to a concert? If not, you’re missing an incredible experience. Recently we spoke with Mary Nelson, Marketing Director for the BSO.

How often do you perform and where?
The BSO performs six concerts in its subscription series, five classical and one pops, at the King Center in Melbourne. We also offer a Chamber Concert Series, featuring BSO musicians in a more up close & personal setting within the King Center’s Studio Theatre.

In the mad rush of living every individual has an agenda of daily tasks which leave little time for reflection or “activity for a more general good.“ Activity of this nature can be church related, non-profit related, or community related, and is essential to the life of a community.

When individuals do make the effort to add to the community by entering the realm of “activity for the general good” it is important to remember no organization (just like no individual) exists in a vacuum. Each non-profit, each governmental organization or advisory board, each public facility, each religious organization relates in some manner to its environment. How they all relate is what determines the strength of community growth and its quality.

While a seminary student, I took an amazing course called Storytelling. One assignment from Dr. Chuck Killian called for us to flip through a stack of popular magazines and make a collage that told something about ourselves.

As I examined the collage I constructed I was given a holistic snapshot of my life, with the past, present and future held together in some sort of epiphany-laden tension. This was therapeutic for me, for I have felt most strangled in life when the lenses were fuzzy and I could not catch a discernable glimpse of who I’ve been and what I’m becoming.

When non-profits work together they can accomplish a lot. Of special note over the past few years has been the leadership role of the Strawbridge Art League (SAL). SAL’s home is the Henegar Center for the Arts in downtown Melbourne, across from the Melbourne Post Office.

The Art League’s original purpose (and still a working dream) is to bring to Brevard the “Torpedo Factory” concept. This means a collection of working artists, studios and galleries in one location as seen in the likes of Alexandria, Virginia. SAL would like to see this concept in the third floor of the as yet unfinished building that is part of the Henegar complex.

I cannot help it. A new Star Wars movie is around the corner, and I am obsessed.

Peel back 28 years to the summer of 1977. An awkward boy with thick glasses goes to spend a summer month at his adult sister’s house in Ohio. He’s unaware of most of the culture around him, as life has been reduced to climbing a wondrous apple tree for four months and hanging out with his toddler niece. He gets back home on the plane, and starts hearing a bunch of buzz about a movie called Star Wars. Everybody has already seen it, all of his friends, even his parents! What’s all the hype? Finally, he gets to go…and he’s hooked.

Forcing Creativity. Have you ever had writer’s block? Well, visual artists get it too. Most artists have these periods of time when we just can’t get into creating. The natural inclination is to throw up the hands and accept the cop out, “ I’m blocked.” While it’s healthy to take an occasional break, “blocks”, if left untreated, can build upon themselves and lead many artists to totally abandon artistic pursuits for dangerously long periods of time. They also frequently happen when we are approaching peak/ breakthrough stages in our artistic development.

In his magnificent little book Windows of the Soul, Ken Gire writes that we have been given the gifts of art, music, sculpture, drama and literature to lead us out of our hiding places…to lead us along in our search for “what was lost.”

Gire writes, “We painted to see if what was lost was in the picture. We composed to hear if what was lost was in the music. We sculpted to find if what was lost was in the stone. We wrote to discover if what was lost was in the story. Through art and music and stories we searched for what was missing in our lives.”

Strep throat was consuming my health, my awareness, my movements. Yet, the actor in me knew the show must go on.

It was December 1988, the final week of the fall semester of my junior year at Florida State University in Tallahassee, Fla. The weather had taken a turn for the cold, and with it my immune system had gone into the tank. I had several final exams to endure, as well as directing and performing two separate scenes in my Theater Directing class.

Media and art for years now have sought to shock us and bombard us into paying attention. To rise above the noise and hype, artists and venues have resorted to what the many call “negative art,” using tactics that scare us into paying attention. Ads that show a burly thief breaking into your home, threatening your family, selling alarm systems. As a result, modern art often falls short.

Is that all there is? I have to ask, what is the role of art in our modern age?

Each breaking dawn demands of us the tasks we must accomplish, the problems we must solve, the relationships we must manage. We need not proactively fill our calendars with many meetings, appointments and errands—life will happily and often subconsciously do so for us.

Without intentionally seeking to stem this tyranny of the urgent, the momentary demands of society can gradually erode the remnants of what remains embedded with us: a child’s right and desire to dream, to imagine, to soar. We can gradually lose our appetite for the truth, settling instead for the cheap imitation of what we take to be a fulfilling life because no one else seems to be alarmed by its shallow waters.

Traditional methods of exposing an artist’s work have been through gallery exhibits. While effective, artists often find it difficult to get more than a few exhibits each year, and the exposure is limited to the city where the exhibit is held.

The popularity of the Internet has leveled the playing field for all artists. Not only can an artist gain international exposure by going on-line, but he or she can have their artwork available for viewing by anyone at anytime, anywhere in the world.